Shankar’s android-inclined ecological sci-fi horror superhero film (truly, an original concoction!) was ample proof otherwise. A quick-fire rebuttal in the form of 2.0, the stellar and creative continuation of visionary director S. Given his own investment in modern Tamil politics, media coverage speculated whether his career as an actor was approaching the finish line imminently. The actor had emerged from the sober political drama Kaala, which impressed audiences more on a thematic level than an entertaining one. Ranjith came to an end in the first quarter of 2018, veteran Tamil superstar Rajinikanth was left searching for yet another promising modern talent to continue his filmography with. Recorded At: ALBUQUERQUE RECORDS, CHENNAI.Īs the directorial collaborations with Pa.
Recording Supervisors: Srinidhi Venkatesh Piano, Keyboards and Synth Programming: Anirudh Ravichander Orchestrated By: Joaquim Badia, Neelesh Mandalapu & Taylor Ambrosio WoodĢ8PRODUCTION, Symphonic Orchestra, BangkokĪdditional Programming, Orchestral Programming & Arrangements: Ishaan Chhabra Nadaswaram: Thirumoorthy, Ramesh, Balasubramniam Mandolin, Oud, Saz, Banjo, Ryan, Santoor: Seenu Ltd.Īcoustic, Electric, Bass Guitars: Keba Jeremiah Label: Sony Music Entertainment India Pvt. Recorded By/At: FAME’S Macedonian Symphonic Orchestra, Skopje, and also at Albequerque Studios, Chennai. The composer’s sacrifice of key missing cues and a minimal run time don’t help in allowing these ideas to fully be fleshed into something greater. Anirudh Ravichander (Score-2019) Anirudh Ravichander (Soundtrack-2019)Īnirudh Ravichander’s dream opportunity to hybridise song and score into a multi-thematic, consistently engaging portmanteau is well realized.
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